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“Women of the 19th of September,” sewing machine, salvaged pedestal, bandages, stage blood, acrylic, cotton and ash (2022).
Bigfoot Resurrects the Screens - mass produced bigfoot statue augmented with paint, coffee, cotton, ash, and homemade circuit-board with LED lights, broken or discarded digital screens and phones augmented with ink and marker drawings on vellum, paint, cotton and ash, found objects, and materials (2021).
“Burger King Parking Lot’s Wife” - salvaged pedestal, salt packets, glue (2021)
Monuments for Essential Workers - traffic cones, hard hats, cheese cloth, gauze, plaster, and work/drop lights (April 2021).
It's Always October 2nd Someplace - chairs and desks, books, fake-blood (April 2021)
Apocalypse Rink - door, basketball hoop, paint, ink, cotton and ash, office mat, Soviet toy rocket, stool (March 2021).
Cicero's Pawns Pwn Cicero - pawns, gaming table, plaster, drawings, vellum and mixed-media (March 2021).
Opossum Box - The first artifact of the Born Again Labor Museum (BALM) was a reliquary containing the bones of an opossum infused with the spirit of an unknown victim of the 1911 Triangle Shirtwaist Fire; victim 147. The bones were stolen during a 1968 BALM exhibition in Toledo, Ohio. They were recovered in September 2020 by Tish Markley and Adam Turl. Upon receiving the bones, Markley and Turl found they were covered in writing. Moreover, the bones kept screaming in pain. After several healing techniques were tried -- such as coupling the bones with wounded tools or post-industrial healing debris, or wrapping them in poetry -- they found that suspending the bones in a coal miner’s canary cage helped alleviate their suffering.
